37 thoughts on “Spotify’s New Payout Minimums Fact Checked”

  1. Less than 1000 during what time? A year, right? And after that the counter resets and your money goes to various Justin Beibers of the world. Even small numbers accumulate over time. You could get some money after few years. Not a lot, but why the fuck would anybody else be entitled to it. Possibly you could at least pay for the album distribution.

  2. If an artist has no tracks over 1000 I can understand it as it’s an administrative waste of time. But if an artist is already getting paid for one track that has over 1000 plays they should get paid for all of their tracks even those under 1000.

  3. This is totally awful. #myplaysmymoney. You still played my music, I want my tiny amount of money instead of NO money. Spotify gets all this music for free. They are also getting away with not paying what radio used to pay. This makes it even worse for artists. Don't excuse them by saying "well, you wouldn't have many much anyhow." Don't be a Spotify apologist!

  4. Wow, great channel, but terrible take. CDBaby has as little as a $10 payout minimum, and you're overlooking the fact that royalties accumulate. It might take an artist the better part of a year to reach their payout, but they're still paid royalties. Going forward, this isn't the case. Two very different situations.

  5. 'you wouldn't have got the money anyway' – yes, you would have, eventually. Spotify must be paying y'all off with you music marketeers justifying this like it's a good thing in all your videos

  6. The issue with this logic tho is that how can we seriously trust Spotify to actually redistribute that 40 million? It sounds a lot like trickle down economics to me. In theory it makes sense but will this instead just go to shareholders and major label artists? I guess we will see in time!

  7. Distributors pay out thresholds are for an artist’s full catalog, not on a song by song basis. Most of my songs get less than 1000, but because I have more than one song, I still get paid by the distributor

  8. I'm not making much with my music…….yet. so once I put the work in that I now know how to do after reading Jesse Cannon's book "Get More Fans," this payout dilemma won't be such a big deal after all. Thank you Jesse (and Todd) for writing such a great book.

  9. I'm so tired of the "only a little bit of money" and "these songs weren't earning any money anyway" and "your distributors would just keep it anyway" BS.

    Multiply that by an entire back catalog of songs that aren't actively being promoted but still earn streams (just less than 1000 a year) that are essentially being used by Spotify for free. It's not like Spotify is going to stop playing commercials before/after these low-stream songs. It adds up.

    So I guess next you're going to compare this to Youtube's rules about monetizing videos despite the fact that they are two entirely different things. Go on… we're waiting.

    Artists and influencers vomiting these arguments are starting to make me angry, but at least the positive side is this nonsense makes it easier to identify the bootlickers and people too shortsighted to listen to,

  10. Wrong. There's no reason to believe that $40mil means paying artists more. Why would you think that? Also $4 is just for 1 song, but for artists like me with dozens of songs just under the 1k threshold, that is potentially $100s (one of my artist profiles has 40ish songs just under 1k, or around $150 which pays for my unlimited distro fees).

  11. Bad move on Spotify's behalf. As they say, never take away something midstream otherwise the crew will declare mutiny. Youtube started with the 1000 subscribers out the gait, thus no one complained, but looked at it as a challenge, have to earn your way in kinda thing.

  12. I am really struggling to see how this change helps any small artist whatsoever. I created the art myself, paid a distributor to distribute it. I don't think any of the streaming services should have this kind of power.

  13. Anyone trying to justify this as a positive change has clearly lost touch with the realities of independent artists on the financial breadline. Every little payout helps for those struggling and seeing this as encouragement to essentially ‘get good’ at marketing and sink more money into promotion in order to hit the threshold is a short sighted and pretty entitled angle to approach the issue from. Every artist should be paid for every stream or sale. Regardless of how poultry the fee may be to the big dogs who likely don’t have any concept of what a financial struggle even looks like. I’m sure it matters not to anyone of note, but I’ll be cancelling my Spotify subscription. I’m not going to give them my poultry £10.99 a month in support of this.

  14. But an artist that has many tracks with low number of plays will lose way more than 4 dollars. It might be little money, but I don't think this is right. Money will end up in the pockets of the already big artists

Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top